The experience of writing for low G ukulele is entirely different from writing for high ukulele. Playing the arrangement is also something else. I daresay Auld Lang Syne in F on low G ukulele is easier to play than that my version in G major on high G ukulele. They sound different, too.
![](https://i0.wp.com/www.anneku.com/wp-content/uploads/2025/01/cover-1-Auld-Lang-Syne-in-F-for-low-G-ukulele-1024x478.jpg?resize=640%2C299&ssl=1)
I looked at the handouts I gave in my workshops almost exactly a year ago. The 8-page bundle included a table of chords used in the three keys we explored, lead sheets in different keys, and chord melody arrangements in F and C. Block not broken chords. The latter I call arpeggiated chord melody arrangements (acma).
![](https://i0.wp.com/www.anneku.com/wp-content/uploads/2025/01/auld-lang-syne-block-chords-in-F-cover-1024x436.png?resize=640%2C273&ssl=1)
![](https://i0.wp.com/www.anneku.com/wp-content/uploads/2025/01/auld-lang-syne-like-hymn-1-1024x417.png?resize=640%2C261&ssl=1)
When accompanying a song, we can choose block chords which we can strum or fingerpick to sound like a church hymn or fingerpick arpeggio or broken chords to sound like a folk ballad.
Here’s the arrangement I made tonight. Hopefully this will interest someone to make a better recording of it. I can’t wait to work on my next piece, but first – some exercises next.
Practice Suggestions
Be sure to accent (emphasize) the melody notes. Think about left hand fingering for smooth transitions.
More information
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